Nicolae Tonitza

(Romanian pronunciation: [nikoˈla.e toˈnit͡sa]; April 13, 1886 - February 27, 1940) was a Romanian painter, engraver, lithographer, journalist and art critic. Drawing inspiration from Post-impressionism and Expressionism, he had a major role in introducing modernist guidelines to local art. Born in Bârlad, he left his home town in 1902 in order to attend the Iaşi National School of Fine Arts, where he had among his teachers Gheorghe Popovici and Emanoil Bardasare.The following year he visited Italy together with University of Bucharest students of archeology under the direction of Grigore Tocilescu.During that period, together with some of his fellow students, Tonitza painted the walls of Grozeşti church. In 1908 he left for Munich, where he attended the Royal Academy of Fine Arts; he began publishing political cartoons in Furnica, and contributing art criticism articles to Arta Română. Tonitza spent the following three years in Paris, where he visited artists' studios, and studied famous paintings.Although the young artist's creation would initially conform to the prevalent style, his gift for colour and his personal touch would eventually lead him towards experiment.Throughout his life, he remained committed to the Munich School, hailing its innovative style over the supposedly "obscure imitators of Matisse".
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Nicolae Tonitza Nud vazut din spate, semnat stanga sus cu negru, ulei pe carton lipit pe carton oil painting


Nud vazut din spate, semnat stanga sus cu negru, ulei pe carton lipit pe carton
ID de tableau::  75092
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Nud vazut din spate, semnat stanga sus cu negru, ulei pe carton lipit pe carton
Nicolae Tonitza (1886 - 1940) - Nud vazut din spate, semnat stanga sus cu negru, ulei pe carton lipit pe carton. cjr
Nicolae_Tonitza_(1886_-_1940)_-_Nud_vazut_din_spate,_semnat_stanga_sus_cu_negru,_ulei_pe_carton_lipit_pe_carton. cjr
   
   
     

Nicolae Tonitza Nud cu spatele oil painting


Nud cu spatele
ID de tableau::  75093
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Nud cu spatele
Nud cu spatele (Abibe), ulei pe placaj, semnat si datat dreapta sus cu brun. cjr
Nud_cu_spatele_(Abibe),_ulei_pe_placaj,_semnat_si_datat_dreapta_sus_cu_brun. cjr
   
   
     

Nicolae Tonitza Nud. oil painting


Nud.
ID de tableau::  75094
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Nud.
Nicolae Tonitza (1886 - 1940) - Nud.
Nicolae_Tonitza_(1886_-_1940)_-_Nud.
   
   
     

Nicolae Tonitza Nud vazut din spate, ulei pe carton. oil painting


Nud vazut din spate, ulei pe carton.
ID de tableau::  75095
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Nud vazut din spate, ulei pe carton.
Nud vazut din spate, ulei pe carton. cjr
Nud_vazut_din_spate,_ulei_pe_carton. cjr
   
   
     

Nicolae Tonitza Nud i iatac, ulei pe carton, oil painting


Nud i iatac, ulei pe carton,
ID de tableau::  75096
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Nud i iatac, ulei pe carton,
Nud i iatac, ulei pe carton, 34x24 cm, semnat dreapta sus, cu brun, Tonitza. cjr
Nud_i_iatac,_ulei_pe_carton,_34x24_cm,_semnat_dreapta_sus,_cu_brun,_Tonitza. cjr
   
   
     

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     Nicolae Tonitza
     (Romanian pronunciation: [nikoˈla.e toˈnit͡sa]; April 13, 1886 - February 27, 1940) was a Romanian painter, engraver, lithographer, journalist and art critic. Drawing inspiration from Post-impressionism and Expressionism, he had a major role in introducing modernist guidelines to local art. Born in Bârlad, he left his home town in 1902 in order to attend the Iaşi National School of Fine Arts, where he had among his teachers Gheorghe Popovici and Emanoil Bardasare.The following year he visited Italy together with University of Bucharest students of archeology under the direction of Grigore Tocilescu.During that period, together with some of his fellow students, Tonitza painted the walls of Grozeşti church. In 1908 he left for Munich, where he attended the Royal Academy of Fine Arts; he began publishing political cartoons in Furnica, and contributing art criticism articles to Arta Română. Tonitza spent the following three years in Paris, where he visited artists' studios, and studied famous paintings.Although the young artist's creation would initially conform to the prevalent style, his gift for colour and his personal touch would eventually lead him towards experiment.Throughout his life, he remained committed to the Munich School, hailing its innovative style over the supposedly "obscure imitators of Matisse".

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